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ATARO MATSUO

ANT

KEITA SAGAKI

JUNICHI ITO

JOSHUA LIMON PALISOC

MACHIKO HASHIMOTO

MASAKI OKUTEN

MIMAAAAAAAAW

SHINYA TANOUE

TAKAHIDE KOMATSU

TOSHIO IEZUMI

TOMOAKI MURIYAMA

YOH NAGAO

YOICHIRO NISHIMURA

YOSUKE MIYAO

ARTISTS
IMG_8692.jpg

Joshua Limon Palisoc

 

The power to change—to reclaim, redefine, and transform—has always been our birthright. But assimilation, especially under colonial and societal pressures, often forces us to detach from this power, making us believe that conformity is survival.

 

To assimilate is to trade aspects of our identity for acceptance, often at the cost of our ancestral memory and innate capacity to shape our own narratives. In doing so, we internalize imposed fears—of our folklore, our spirituality, our ways of being—until we forget that these were once sources of strength.

 

One common belief is that within the ‘Puso ng Saging’ lies a ‘Mutya’—a small, luminous stone or jewel imbued with supernatural power. This mutya is said to bring protection, healing, or immense luck to the one who possesses it. However, it is not easily obtained. Folktales warn that spirits, such as ‘Engkanto or Diwata’, guard this treasure, testing the intentions of those who seek it. Some stories even claim that the mutya only reveals itself to the pure-hearted, while others say it vanishes if taken with greed.

 

By reinterpreting these narratives, the Mutya can become a metaphor for reclamation. The power to change is not lost—only buried. To reclaim it is an act of courage, of unlearning imposed fears, and of embracing the wisdom that was never truly destroyed, only waiting beneath the surface, like the Mutya within the ‘Puso ng Saging’.

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“Kapangyarihan ng Mutya”

Medium: Stainless Steel, Glass, LED and Electical Components

Dimension & Year: 182 H x 152 W x 152 D cm, 2025

Shell 24 No. 222 by Shinya Tanoue, Ceramics, 27.5 x 69 x 41 cm, 2024.JPG

Drawing inspiration from the revolutionary Sodeisha movement that emerged in Kyoto in 1948, Shinya Tanoue's artistic style embodies a spirit of creative liberation and rebellion against conventional ceramic norms.

"Shell 24 No. 222"

Ceramics, 27.5 x 69 x 41 cm

 

In his innovative ceramic pursuits, Tanoue explores the potential of his chosen medium, infusing it with deep emotion and a sense of wonder. Defined by elegant simplicity and refined beauty, his artworks offer a fresh perspective on Japan's revered ceramic heritage. For Shinya, clay symbolizes vitality, serving as a means to express the core essence of life. Through meticulous use of coil techniques and manipulation of three clay varieties, he sculpts his ceramics with precision, employing two slips to achieve distinct textures. The intricate surface carving imparts a unique tactile feel and visual richness to his pieces. Furthermore, he elevates their appeal by embellishing the interiors with a lustrous blue-glazed finish.

@2025 Parallel + art & design

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